Store
Vidéo de l'équipe d'animation du Grand Spectacle de l'École Internationale de Montréal.
homayoun faut vraiment que j'appelle olivier il ne pourra jamais à l'olivier au mag info vous et moi que je te dise quelque chose alors non oh my god je dois appeler stéphane brizé genre ou un échappement tôt allo quoi on my own ne veut pas croire au jeu mais je rappelais luis luis silva capote il qui à luis réglages étaient ses chaussures à aix et dieu créa moss est ma vie à marie attends attends alléger notre appel ouais ouais c'est vrai stéphane quoi au nom comme moi tu pensais que j'allais aimer ça oh non les rumeurs sur moi je n'y ai un sur ses filiales comme commencer cette rumeur encore à
This is a look at what the animation team at École Internationale de Montréal created for the Grand Spectacle. The transcript captures the kind of chaotic, creative energy that happens when a team is pulling together something visual and performance-based—lots of phone calls, people trying to reach each other, names flying around. It's the messy reality behind putting together a spectacle.
The Grand Spectacle is one of those end-of-year events where different departments and clubs showcase what they've been working on. The animation team's contribution is what you're seeing here, and from the vibe of the audio, it sounds like there was some last-minute coordinating and humor mixed in with the actual production work.
If you're part of ÉIMS or were at the Grand Spectacle, you'll probably recognize some of the energy here—the urgency, the inside jokes, the sense that something real was being made. That's the kind of environment where good creative work happens, even if it doesn't always sound organized when you're just listening to raw audio.